The Indigenous Woods of The Carving Art in the Sarawak Malaysia Forest

Authors

  • Sinin Hamdan Faculty of Engineering, Universiti Malaysia Sarawak, 94300, Kota Samarahan, Sarawak, Malaysia https://orcid.org/0000-0002-0005-8451
  • Doris Maying Faculty of Applied and Creative Art, Universiti Malaysia Sarawak, 94300, Kota Samarahan, Sarawak, Malaysia
  • Ezra Alfandy M. Duin Faculty of Applied and Creative Art, Universiti Malaysia Sarawak, 94300, Kota Samarahan, Sarawak, Malaysia
  • Aaliyawani Ezzerin Sinin Department of Science and Technology, Faculty of Humanities, Management and Science Universiti Putra Malaysia Bintulu Campus, 97008 Bintulu, Sarawak, Malaysia

Keywords:

Wood heritage, Historical anatomy, Indigenous carving art, Tropical rain forest

Abstract

In many human societies, trees are an essential component of creative expression. The native people of Borneo, an ethnic group who formerly inhabited a large portion of Borneo, combine technology, art, and traditional knowledge of trees and their forests in their woodcarving art. The carved art depicts the generational sociocultural link between people, their land, and sustainable management techniques meant to protect traditional culture. In the context of the Sarawak Iban in Borneo, this editorial emphasizes the relationship between wood qualities and indigenous carving art with the goal of demonstrating ancestral knowledge of the forest and its species.

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Published

2026-05-04

How to Cite

Hamdan, S., Maying, D., M. Duin, E. A., & Sinin, A. E. (2026). The Indigenous Woods of The Carving Art in the Sarawak Malaysia Forest . BioResources, 21(3), 5727–5728. Retrieved from https://ojs.bioresources.com/index.php/BRJ/article/view/25605

Issue

Section

Editorial Piece